By Craig Clunas
Who owned Ming gardens? Who visited them? How have been they represented in phrases, in work, and in visible tradition often, and what meanings did those representations carry at various degrees of chinese language society? How did the discourse of gardens intersect with different discourses resembling these of aesthetics, agronomy, geomancy, and botany? by means of analyzing the gardens of the town of Suzhou from a couple of diverse angles, Craig Clunas offers a wealthy photo of a fancy cultural phenomenon—one that used to be of the most important value to the self-fashioning of the Ming elite.
Drawing on quite a lot of contemporary paintings in cultural thought, the writer presents for the 1st time a ancient and materialist account of chinese language backyard tradition, and replaces extensive generalizations and orientalist fable with a powerful photo of the garden’s position in social lifestyles. Fruitful Sites will entice all scholars of China’s cultural background, to scholars of backyard heritage from any a part of the realm, to paintings historians, and to readers engaged in Asian and cultural studies.
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